This is the first week of a new module where we learn how to use Avid Xpress Pro, in preparation for editing the footage we shoot a few weeks ago. Avid doesn't have the mind share among would be filmmakers as Final Cut Pro does, so I spend a little time talking about it's place in the filmmaking world.
It is the premier NLE and there's always talk about how it measures up against FCP, so I've included 1, 2, 3 different articles comparing the two. A very significant difference is that the companies that produce these programs have very different missions. Apple is all about bringing the professional media experience to the consumer, Avid is focused on the production needs of professional media makers thru it's own post production systems and the many companies it has acquired, like M-box, Digidesign and Softimage.
I've got some details about a project I'm involved in along with Laura, who I've worked with in the past on the genetic fingerprint documentary. We're going to shoot audience reaction to the play, The 39 Steps, that will be running at the Huntington Theater during September and October. It's a lot of work in a short time, so it should make for some interesting experiences.
Showing posts with label bu. Show all posts
Showing posts with label bu. Show all posts
Tuesday, September 11, 2007
#46 Wk32 - Intro to Avid
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Thursday, May 17, 2007
#25 Wk17 - Final Cut Pro
This is the first week of the Final Cut Pro module. Tuesday night was a special topic class, separate form the module.
Our speaker was Robert Patton Spruill, director of Squeeze and a documentary on Public Enemy which is in final production.
He brought some fresh perspective on how to live your life as an independent filmmaker. I also appreciated his perspective on the program at CDIA versus, Emerson College, where he teaches as well.
Federico Muchnik, the video program director is our instructor for the Final Cut Pro module. He has an easygoing style that he uses effectively to cut through all the mucky details and focuses specifically on the need to know stuff for filmmakers. We’re covering a lot of ground in a short time, the point is that we’ll do the real learning once we start cutting. I cover the things I think are most important to the editing workflow.
Somehow I got into a rant about archiving files. It’s definitely something you need to consider before you go to far into a project. Finally I bring up an important point about capturing video. Don’t capture video to an external drive connected via USB. Just don’t’.
Our speaker was Robert Patton Spruill, director of Squeeze and a documentary on Public Enemy which is in final production.
He brought some fresh perspective on how to live your life as an independent filmmaker. I also appreciated his perspective on the program at CDIA versus, Emerson College, where he teaches as well.
Federico Muchnik, the video program director is our instructor for the Final Cut Pro module. He has an easygoing style that he uses effectively to cut through all the mucky details and focuses specifically on the need to know stuff for filmmakers. We’re covering a lot of ground in a short time, the point is that we’ll do the real learning once we start cutting. I cover the things I think are most important to the editing workflow.
Somehow I got into a rant about archiving files. It’s definitely something you need to consider before you go to far into a project. Finally I bring up an important point about capturing video. Don’t capture video to an external drive connected via USB. Just don’t’.
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