#58 Wk42 PreProduction

This is the first week of the PreProduction Module. This is the class where we learn how things work, how to really make a film. I know I sound kind of bummed out by all the details raining down on us, but that was me speaking from the gut level. After so many weeks of practical classes, the change to straight classroom instruction was a shock, and the depth of the information was overwhelming. This stuff is dense and deep, but also greatly appreciated.

J.P. Ouellette is our instructor, a director, producer and a great storyteller. His knowledge of the planning process that goes into preparing and shooting a film is outstanding. This is the first time in the program we've gotten any amount of this information and while at first it seemed formidable, we're easing into a comfortable learning position. It makes us realize how big a responsibility it is to make a movie. It also makes the process more real and more attainable.

PreProduction - What is it? It's all the planning that goes into a movie before you shout action. Budgeting, casting, scheduling, contracts, rentals, location scouting, storyboarding, shot lists and more. It's a lot to get through in 3 weeks, but at our current rate, we'll hear it all.

In episode #41, I listed a number of Screenplay sites Here's two more links with lists of additional sites, TopTenLinks and Lew Hunter. You can learn a lot about scriptwriting by reading scripts. Remember that every type of production, TV, movie and so on, has their own preferred format for scripts, and those are always evolving. It's a good idea, if you write, to check up on blogs that talk about scriptwriting.

Copyright issues are really important and because I'm way out of my depth in this area, I only mention it in passing. You will find a lot of interesting info in David Battino's podcast on public domain music in episode #16 of his podcast at O'Reilly.com. Anyone involved in producing a movie should take the time to learn more about copyright restrictions so you don't end up losing time or money in court.

Production Note - In the beginning I spoke about the audio settings for this and last episode. I also boosted the amplitude to raise the volume of the quieter parts. Thanks to Dennis for helping me understand the compression process. I know it was a struggle, but I did get a lot of what you were saying.

#42 Wk29 - Fillm Project II

Very short post this week. We're preparing ourselves for a multimodule film project.

This week we're choosing our script and team members. Have to shoot the script and show some footage in another two weeks. Following that we're learning how to edit in Avid, then another three weeks of editing.

#41 Wk28 - Screenwriting

This episode is all about Saturday's class where we diagram the movie Manhunter, by Michael Mann. This is the precursor to the Silence of the Lambs, and Hannibal Lektor is just as scary in this even though he is a minor character.

Using scripts of The Village, by M. Night Shyamalan and Heat, also by Michael Mann, we looked at how to do the formatting. Writing the content of a movie is a whole other matter which we didn't get into. The first step in the door is the actual format of the script. People are very particular that it look a certain way, all the letters are crossed and dotted, headings are just so. Also I pass along some tips for things to avoid when writing for visualization.

Here is a list of items for formatting the page:

• Location
• Action Block
• Character Name
• Parenthetical
• Dialog
• Transitions

Lots of software you can use, Final Draft we're using in class, Movie Magic Screenwriter is another app available. Demos are available. There's a free, opensource screenwriting software called Celtx that I have downloaded, but haven't really looked at.

Books are available, but looking at scripts, which you can download from IMSDB, SciFi Movie Page, Simply Scripts and the Weekly Script. A couple online magazines are Script and Creative Screenwriting.