#118 Lame Excuse

It's been a while and I've been working, I really have, and it's going to be great, you're really going to love it. 

Give me a few more days.

Thanks. You're beautiful.

#117 Looking back, moving on

I've been spending most of my free time completing the transcription process. This is critical for me to figure out what remains to be shot in order to complete my film, as well as speed up the editing process.

Transcribing is boring, tedious work and there's not a lot of stuff I can say about it, though I try my best. I've tried to speed things up by using transcription software. I started out with iListen from MacSpeech and then, when they came out with Dictate I switched to that, Dictate uses a vastly improved software translation engine that was licensed from Dragon Naturally Speaking on the Windows platform. I think I will have to look into using Dragon on my next project and see if that tops them all.

I've also been using my time to talk with instructors and get critiques on how well my film works. I know it needs improvment. I've spoken to a number of film faculty at CDIA. It's interesting to see how each person views the essentials of filmmaking.

One instructor, who is not a documentarian, emphasized the story elements and how the story is presented. Franco Sacchi, our resident documentary filmmaker was all over the structure of the film and how to use visuals to connect the ideas. I have another critique coming up soon with an instructor who is a strong editing and sound person, so it will be interesting to see how he views the needs of my film.

#116 Do I like Avid?

It's been a couple weeks since graduation, so I've decided to catch you up with my plans for the coming year. I've got some additional podcasts in the works as well as ideas for this show. you can look forward to more interviews in the near future.

This is an unusually long show and I'm loading a lot of news on the front end, so if you want to skip that, jump to 10:40 where I start my eval of Avid.

My film, Handmade in America is still in process. I'm screening it with a number of people at school over the next few weeks, to find out how I can make a good film look and play better. I'm conscious that meeting the graduation deadline required me to skimp on some quality features, and while I don't want to dedicate the rest of my life to this story, I do want to look back on it knowing I did the best I could given my current abilities. I already see the need to do some pick-up shooting.

Even though I'm out of school, CDIA has a very open approach towards it's alumni, encouraging continuing connections and mentoring between former students and faculty.

I can spend a lot of time validating the time I spent in school, learning this craft, but I'll put that off for another time. I do want to bring to your attention a series of articles by Mike Jones of Digital Basin about whether it's worth your money to go film school at all. His first post was dated Monday Sept. 08, 2008 and continued for 4 more posts up to Wednesday Sep 17, 2008.

In the show, I mention a video host called Vimeo that I'm considering using to post screencasts. Blip TV is similar one that comes to mind. Anyone had experience with either of those, or recommendations of others?

And as far as a host for future sites and blogs, I've committed to BlueHost, a name I've heard other podcasters refer to positively. I've looked at a lot of different hosts, read comparative reviews and I feel that, at least on the basic level, they're more or less the same in terms of features offered. So, in the absence of any clear direction, I'm going with what's appeared on my radar.

Check out the Ruff Cutz Film Festival. I submitted and have recently been added to the films screened at this event, taking place at the Center for Digital Imaging Arts at Boston University in Waltham Massachusetts, in the middle of November. I don't know much except that CDIA is a sponsor, they're encouraging films that are rough, which mine is, and it's inexpensive to enter. I'll be there and let you know about it.

The remainder of the show is spent sharing my thoughts about the pros and cons about using Avid.

Bear in mind, I'm approaching this from a beginner's perspective. As far as I'm concerned, I'm standing on the edge of the learning prairie, the mountains are nowhere in sight and I have no idea if I'll reach the sea on the other side.

So a lot of my concerns and ideas are limited by my exposure and use of this program. I don't think this negates the usefulness of what I've got to say though. I think this program is really, really weak for the beginning user. There was a time when the only way you could learn this software was from the cocoon of the production company that had spent hundreds of thousands of dollars for each Avid workstation. Anyone who was chosen to learn this tool had the benefit of a seasoned professional editor, as well as their own years as assistant editors, watching in the shadows.

Experiences like that can still be had, but they aren't the norm anymore. At the midpoint on the user curve are people such as myself, people who want to produce their own independent films with a small team of people. Bootstrap filmmaking. This is where Final Cut Pro and Premiere have taken the lead and Avid is lagging behind. I think Avid has a lot to offer today's independent filmmaker, but I think they're shutting people out by raising the learning bar too high at the point of entry.

I'm going to check out the book by Diana Weynand, Final Cut Pro for Avid Editors. I haven't been able to find any books for people who use Final Cut Pro and want to use what they know to learn Avid, but I have found a few sites. Avid's site has video tutorials geared towards FCP users, Editing Organazized has a useful blog post about how specific editing actions are invoked in either program, Final Cut Pro to Avid and the Avid Community site also has tips and tutorials.

I'm committed to this course regardless of wolves, snowstorms or bandits, so any helping hand you can lend would be kindly appreciated. Thankye.

#115 CDIA Screening and Graduation

As you know I've handed in my final project and this show is about my class's screening and graduation at CDIA. Yes, I'm done, but it's not over, it's never over.

Working up to and over the last minutes of my deadline left me very tired. As a result the remainder of the week's activities were a blur. I should have been able to talk about events in greater detail, but the truth is that I had very little capacity to absorb the experience. In some sense I was living in the moment, not anticipating the future or recalling the past.

I'm not much on ceremonies or "special events" in any case. They are what you make of them. I think the people who share them with you carry more weight in your memory, so I guess you could say that what I recall here is what I considered the important part.

I certainly was nervous about the screening and showing my film in front of a lot of strangers, it went off well though. People laughed in the appropriate places and I got a number of kind and constructive comments, which demonstrated more than anything else, that some people were paying attention.

The I want to give a special nod to Bob Daniels, the guy who runs the school, for some intelligent and brief comments about what lies in the future for the graduates.

What's next. As I said, it isn't over by a long shot. I'm doing a little polishing of the film so I can submit it to a local film festival, coming up shortly in Boston, called the Ruff Cutz Festival. As the name implies, you can submit the film where ever it is process. Some money is on the line, but I'm not holding my breath. I'm more interested in preparing my film for submission, and if it makes the cut, having the chance to watch another crowd of strangers judge my film.

Independent of that, I plan to meet with several instructors over the next month and discuss ways to enhance the film. Essentially I'm going to have the critiques I didn't have time for, before I handed it over for graduation screening.

Once that's done, I'm not completely sure what to do with it, other than use it as a calling card. I plan to create a site for it as well as other videos that I produce about craft - all crafts I hope.

There are two reasons I want to do this:
I want to continue to exercise all the skills I've been exposed to and hone this filmmaking craft. I don't want what I've learned to atrophy due to disuse. I don't have any plans at all to set out on a filmmaking career, I don't know yet what the next step for me is.
I really like this subject matter, it's really a big part of who I am and finding the stories are sort of like discovering parts of myself. I also think there's a lot of people out there who have the same feelings and creating a link between us seems like a the way to begin this odyssey.

#114 Panic on Day Zero

Day Zero - Project Due

It's fitting that this show, which is about the final day of my film project for the Film program at CDIA at Boston University ends with a lot of energy and emotion, because, up 'til now I've been holding it in, quite well I think.

I wouldn't say I lost it, but it was close, it was more like clawing my way back onto the cliff edge that I was sliding off. But I'm getting ahead of myself.

I only want to say that over these past 4 weeks the excitement and fun of editing and completing a film has completely leached away to frustration, stomach gnawing stress and all other kinds of unpleasant feelings due to having too much to do in way too little time. In the end I have to confess to dreaming too big.

I'm not apologizing for that, nothing I've experienced so far will change that about myself, but I have learned that I never want to do a film this way again. We'll see if I can hold true to that promise.

Today was a race against time, right up to the wire to complete color correction and titles - how many times have I talked about getting those two things done.

I seem to have gotten on a rag about various features of Avid, GUI in general, but Titles really took me for a beating. In the end I had to bail on using titles in Avid and did something quickly in Final Cut Pro. Don't do this at home, it's very, very painful and time consuming. Bringing an exported Quicktime file from Avid into FCP requires that you render the entire timeline and the titles will have to rendered each time you tweak them. But it was necessary to meet the deadline. I would be better to know how to use the tools within Avid. I'll let you know how difficult that really is in the next few weeks, once my head clears and I can approach learning it with a little more time.

I also plan to do a review of working in Avid, talking about the pros and cons. I know that most people listening are not using Avid, maybe not even using Final Cut Pro, but it is an industry standard tool, for the present, and I would like to give the benefit of my experience, as painful as it sometimes has been, so that you know where it sits in the pantheon of NLE gods.


Tags:
Avid, FCP, FCS, titles, color correction, transcode, tape transfer

#113 Abiding by Murphy's Law

Day 2 & 1

As a result of excellent feedback from Linda, my wife, I've made some significant changes to the order in which speakers are introduced. I had begun with discrete, self contained blocks, where an individual presents themselves. Of course I intended to mix individual's comments together where they touched on the same topic as the film progressed, but it was made clear to me through Linda's perspective that I could begin that earlier, so there wasn't an obvious transition from one person speaking at a time to many people speaking.

It was a real structural problem for me and I'm grateful for the insight she provided. You know, I know what I want to do and could have acted alone, but I had nagging doubts that my perspective was too inside, too familiar to be trusted as far as how much I could ask the audience to accept as they were introduced to the film's characters and ideas. Things such as the pacing, I'm using a lot of rapid cuts. It really pays to have someone you can trust who can offer concise, intelligent comments.

Day 1 ends and I still don't have the film transfered to tape. I spent a number of hours but between working with HD footage in Avid and moving it to HDV tape, or SD for that matter, there were lots of unresolved problems. And I lost a lot of editing time in the process.

Not that this isn't my own fault for starting late in the first place.

I mention a number of suggestions made by one of my constant instructors, Howard Phillips, for enhancing the movement of the story and I did a poor job of explaining J & L cuts, so follow the link to find out a little bit more. I've added them throughout the film to ease the audience from one cut to another. It's a subtle thing. The difference it makes is not so much what it adds, so much as what it removes, which is often an abrupt, gawky cut between two speakers, or scenes.

Another point I missed in the excitement of reciting my day, is that the 90 second segment where I introduce a new character and I thought I was going to have to scrap it because I didn't have B-roll to cover several jump cuts. I forgot to mention the solution, which was to use dip-to-color between the cuts. It's only a second where the clip fades in, then out to black, but it heals the jump cut wound quite nicely.

Now, I know how to do this and had used it sparingly in other parts of the film, but I thought it was too much in your face, it would be too jarring to the viewer if I did it several times within 90 seconds. I was assured by people whose opinions matter that it was fine and acceptable. I don't know if they meant in general, or under the circumstances of the looming deadline, but I gladly accepted it like a get out of jail card. We'll see how people react at the screening.

#112 Room to breathe

Days 5, 4 & 3

Still working on the rough cut, focusing on story pacing, removing things that take you out of the story.

I'm reflecting a lot on the meaning of craft, the subject of my film, and being as tired as I am I'm afraid I'm not completing whole thoughts. I'm gaining spontaneity at the price of coherency when I'm not reading off a script. You tell me if it's worth it!

About five and a half minutes into the show I'm trying to make a point about the life craftspeople try to lead and I'm using a sports competition metaphor and it utterly fails. What I'm trying to say in this instance is that the measure of success is the process of work and learning they're engaged in, their life's journey, not a specific accomplishment or feat.

Trust is a perennial issue for me, and exercising trust in the audience is what I need to do as I continue this edit. Just as Jay Moonah said At Podcaster's Across Borders this past June, the content is the audience. They create meaning out of the context of their experiences, in this case, watching this film when it's done. Learning to trust that people are paying attention and pulling all the disparate pieces and ideas within the film to create a whole that leads them to… what, my way of thinking.

No, this film is not like driving cattle through a narrow, fenced in path (don't know the name of the path, sorry), but I do hope that it will direct people to think about specific ideas with new understanding. Providing some understanding, that's sufficient for me.

Tags:
editing, video, filmmaking, rough cut, craft,